succubus in my pocket is a book of experimental poetry by the late, great trans poet kari edwards (1954-2006). In the foreword, edwards — she preferred her name, as well as the book’s title, in lower case — is described as one of transgender literature’s “driving forces and homing beacons.”
Read on
VIDA is an organization with a unique mission: to quantify women’s representation in the literary arts. Their approach? Count.
Read on
On the last Saturday and Sunday of July, poets and poetry lovers braved the rain and boarded the ferry to Governor’s Island.
Read on
Masculinity is fragile. While it’s only been fairly recently that this fact has been discussed in mainstream discourse, not only does it resonate with many…
Read on
…There is an argument for poetry being deep but I am not that argument. Eileen Myles, “A Poem,” Not Me I BECAME INTERESTED in Eileen…
Read on
THE PHRASE “19th-CENTURY BLACK WOMEN WRITERS” probably brings to mind only one or two names. Sojourner Truth, probably; Phyllis Wheatley if you’re fancy. If you…
Read on
FROM SUFFRAGIST PAMPHLETS to the xeroxed zines of riot grrl, DIY publishing is one of the oldest tricks in the feminist book. Creating and controlling…
Read on
JHUMPA LAHIRI describes her relationship to Italian as a love affair: “When you’re in love, you want to live forever… Reading in Italian arouses a…
Read on
SAD BUT TRUE: feminist businesses are becoming as rare as unicorns. Sure, we have Girlbosses and female CEOs who like to Lean In, but down…
Read on
MOST PEOPLE EXPERIENCE POEMS as so puzzling and irrelevant that new books of poetry are burdened with the task of proving their right to exist.…
Read on
MARY GAITSKILL’S THE MARE revolves around a pun: the aural slippage between the title — “mare” — and “mère,” which is French for “mother.” To see this…
Read on
A ROOM OF ONE’S OWN finds Virginia Woolf in 1929, trying “to remember any case in the course of [her] reading where two women are…
Read on